almost all the performances and artworks from Oni Ten.
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AND they were only a few days late, but i finally got my George Zupp and Justin Graham’s Oni Ten submissions. great work.. would have been nice to have it in the show though.
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thought i should write why i made oni ten. oni ten isnt just about trying to get people’s artwork and get people to come to my studio. I think the exhibition could actually provide a useful service that other venues dont.
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Clearly Oni Ten is not meant to be a traditional exhibition space. even if I wanted to put on a regular exhibition we’d never be able to compete with even the most boring galleries in the heart of Tokyo; we’re just to far away. my studio in the countryside has the advantage of being disconnected, so that the works we display don’t have to appeal to anyone. the participating artists don’t need to appeal to customers, to gallery owners or the restrictions of contest rules. we have the freedom and chance to work outside of our typical comfort zone, to experiment with unfamiliar media and not have to place so much emphasis on the outcome. I like to think of it as something like an art laboratory, mixing together as many elements as we can to see what might come out. people can figure out what to do with the results later. my intent in this approach is not necessarily to produce polished work, but to widen each individual artist’s visual vocabulary through experimentation and bouncing ideas off one another. of course artists experiment in their own studios, but too often those works never fall under peer or public scrutiny. my hope is that in an Oni Ten-like setting our peers can critique and interact with the works in a neutral environment and that the group can make something larger than the sum of its parts.
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i really believe there is potential to produce a lot of exciting work here, as long as people make an honest effort and do their part. this is not an exhibition about me, and i couldnt do it alone even if i wanted to. we did very well for the first exhibition, but the second exhibition is going to require a lot more out of other people.
I especially appreciate the help i got from Neba, Nozomi and Fuyuko.. when things were falling apart, each of you guys did what you could to help. If you three weren’t around i wouldnt be willing to try this again next year.
- Oni Ten Gallery 1
- Oni Ten Gallery 2
- Oni Ten Gallery 3
- Oni Ten Gallery 4
- Oni Ten Gallery 5
- Oni Ten Gallery 6
- Oni Ten Gallery 07
- Ai Ideguchi
- Oni Ten Live 1
- Oni Ten Live 2
- Kjell Hahn 1
- Kjell Hahn 2
- Kjell Hahn 3
- Kjell Hahn 4
- Kjell Hahn 5
- Chiaki Horikoshi
- Mimi Kato
- fuyuko kobori 1
- fuyuko kobori 2
- Megumi Miyake 1
- Megumi Miyake 2
- Yonebayashi Akira 1
- Yonebayashi Akira 2
- Yonebayashi Akira 3
- Yonebayashi Akira 4
- Yonebayashi Akira 5
- Hiroyuki Kinoshita
- Hajime Hata
- Momota Kudo
- Tomoka Tezuka
- Yoshida Sensei
- Takeshi Yoshida
- Tatsuya Yoshida
- Riberame
- Takamura Yuko 1
- Takamura Yuko 2
- Yuya Hayashi
- Jay Lansford 1
- Jay Lansford 2
- Gregg Lewis 1
- Gregg Lewis 2
- Gregg Lewis 3
- Jim Jereb
- Pip Brant
- Nozomi Nagao 1
- Nozomi Nagao2
- Nozomi Nagao 3
- Genta Shibata
- Asami Shiina
- Michiru 1
- Michiru 2
- Eriko Iwatani
- Justin Graham
- George Zupp
Gregg Lewis’ short film
“A Boring Evening”
“Rojin to Mago”
a segment from Yoshida Shigeki, Chiaki Horikoshi (and many others) film
“Yoshida Otokichi no sekai” or “The world of Yoshida Otokichi”




























































